• Please find listed below, with every Bray Baroque book/edition, the list of articles by Claudio Di Veroli that—mostly updated and expanded—have been included, with their Academia.edu link.
• Clicking below on the cover of any book brings you to the book's website.  

Playing the Baroque Harpsichord - 4th ed., 2022

A full coverage of Baroque interpretation for the harpsichord and also the clavichord and organ. It includes essays endorsed by leading performers, with thorough guidance about authentic performance, ornamentation, articulation, tempi, registration, rhytmical alteration and further topics. This book includes a complete history of the harpsichord.

• "El Clave: Historia y Resurgimiento (The Harpsichord: History and Revival)" [Spanish], in FICTA I/1, pp. 41-61. Buenos Aires 1976. Academia.edu.
  "Cembalo: Decadenza e Rinascita" [Italian], March 2011, in the website "La Sala del Cembalo del caro Sassone", Rome 2011. Academia.edu.
  Updated and expanded version in this book, Chapter 1.1 THE HARPSICHORD FAMILY AND HISTORY.
• "A concise account of historical harpsichord ranges" in NEMA (National Early Music Association UK) Newsletter, Feb 2017. Academia.edu.
  Updated version in this book, Section 1.3 KEYBOARD RANGES.
• "Did Couperin ever play a trill before the beat?" in Harpsichord & fortepiano, Vol. 6, no. 1, pp. 20-22. UK 1997. Academia.edu.
  Updated and expanded version in this book, Sections 3.2 BAROQUE TRILLS AND MORDENTS BEFORE THE BEAT? and 3.3 NO TRILLS BEFORE THE BEAT IN F. COUPERIN AND OTHERS.
  
• "Inégalité and Rameau's Concerts: a case of Ille Dixit?" in Harpsichord & fortepiano, Volume 8, no. 2, pp. 28-34. UK 2000. Academia.edu.
  Updated version in this book, Section 4.8 INEGALITE IN RAMEAU'S CONCERTS.
• "Interpretación de Tresillos y Dosillos en la Música de J. S. Bach (Interpretation of Triplets and Duplets in J.S. Bach's Music)" in Primeras Jornadas Argentinas de Musicología, Buenos Aires 1984. Academia.edu.
  Abridged but also updated version in this book, Section 4.9 TRIPLETS AND DUPLETS IN J.S. BACH.
• "Bach was neither a clavichordist nor a pianist [Spanish and English]" in Mediante (Conservatorio Nacional de Música) IV/7 pp. 4-7. Buenos Aires 1985. Academia.edu.
  Updated and expanded version in this book, Sections 8.4 WAS J.S. BACH A CLAVICHORDIST OR EVEN A PIANIST? and 8.5 J.S. BACH'S CLAVIER: HARPSICHORD, CLAVICHORD OR ORGAN? .

Baroque Keyboard Fingering: a Method - 8th ed., 2020

The most comprehensive work in the field, with a full reconstruction of the mid-to-late Baroque fingering system. An earlier edition was endorsed by the late Igor Kipnis. Scales and other passages are resolved with 54 fingering Rules, based on original fingerings from the Baroque era.

•  "Esperienze nella ricerca, uso ed insegnamento di diteggiature antiche sul clavicembalo (Experiences in the research, use and teaching of old fingerings on the harpsichord)" [Italian], read to the Riunione “Il Liuto e la Musica Antica”, Buenos Aires 1984. Academia.edu.
  This paper described the process followed in determining and validating the fingering Rules described in this book.
• "Baroque Keyboard Fingering and Present-Day Practice" in Harpsichord and fortepiano, Vol. 23 No. 2, UK 2019. Academia.edu.
  This paper clarifies some concepts explained in this book, and also provides an update about the present-day practice of traditional fingerings.

J.S. Bach's Well-Tempered Clavier Book I with Baroque Fingerings and a
                Performance Guide - 2022

First published score fully fingered with the technique in use in the composer's milieu.
A 58-page introduction covers the editorial method, temperaments, information about the fingering, suggestions for interpretation, and the correction of errors in both sources and editions.

• "Bach's temperament" in Early Music vol. 9 pp. 219-221. UK 1981. Academia.edu.
  Chronological treatment in this edition, section TEMPERAMENT AND THE WTC: A CHRONOLOGY
  

Unequal Temperaments: Theory, History and Practice - 5th. ed., 2021

510 pages and 367 figures with the latest findings in the field. PART ONE provides the acoustical background, covers each one of the main temperaments and ends with a full HISTORICAL SURVEY. PART TWO consists of directions for the practice of the diverse unequal temperaments in keyboard, string and wind instruments. PART THREE covers multiple divisions and the analysis of historical sources.

• "El Temperamento Musical Ayer y Hoy (Musical Temperament in Past Times and Nowadays)" [Spanish] in Boletín de Música Antigua I/1 pp. 3-8, I/2 pp. 3-7 and I/3 pp. 3-8, Collegium Musicum, Buenos Aires 1996. Academia.edu.
  An Italian version "Il Temperamento Musicale Ieri e Oggi" was produced by the Harpsichord chair of the Conservatorio Statale di Musica "Giuseppe Verdi" in Torino after a Masterclass by C. Di Veroli in 1998. Academia.edu.
  This paper is a much abridged version of this book's Part I - DESCRIPTION, ANALYSIS, HISTORY.
• "A French temperament of 1690: a link between meantone and the 18th century French circular temperaments" [Spanish]. Co-author: Sylvia Leidemann, in Segundas Jornadas Argentinas de Musicología, Buenos Aires 1985. Academia.edu.
  English revised version in this book, Sections 8.2 EARLY FRENCH TEMPERAMENT and
  21.2 FRANÇOIS COUPERIN'S ORGAN TEMPERAMENT.
  
• "Accurate Meantone Tuning based on Fogliano" in Harpsichord & fortepiano, Vol. 23, No. 1, pp. 16-20. UK 2018. Academia.edu.
  This paper abridges matter treated in different sections of this book, mainly in 13.3 STANDARD MEANTONE TEMPERAMENT.
• "Tuning the tempérament ordinaire" in Harpsichord & fortepiano, Vol. 10, No. 1, pp. 22-29. UK 2002. Academia.edu.
  Thoroughly updated and expanded in this book, Sections 8.3 STANDARD (1/4 S.c.) FRENCH TEMPERAMENT and 21.3 A REAPPRAISAL OF THE "TEMPÉRAMENT ORDINAIRE".
  
• "Bach's temperament" in Early Music vol. 9 pp. 219-221. UK 1981. Academia.edu.
  Full new treatment (16 pp.) in this book, sections 9.7 THE SEARCH FOR BACH'S TEMPERAMENT, 21.8 BACH'S TEMPERAMENT: 1/6 P.C. SEARCH and 21.9 BACH'S TEMPERAMENT: 1/12 P.C. SEARCH.